랜드스케이프 더블 폴딩체어

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=3975411163

STYLE register 를 이 촬영 방식으로 갈아끼웠습니다 — Multi-drone aerial commercial coverage — three distinct drone units cutting between an ascending establishing rise, a fast lateral flyby skim, and a top-down overhead descent; photoreal, natural daylight, real weight and motion, no on-screen text.

연출 반영됨 요구한 카메라 3대가 샷 3개로 프롬프트에 실렸습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, Multi-drone aerial commercial coverage — three distinct drone units cutting between an ascending establishing rise, a fast lateral flyby skim, and a top-down overhead descent; photoreal, natural daylight, real weight and motion, no on-screen text. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman in her late 20s to early 30s, slim build, short sleek black bob haircut, clean and refined calm demeanor. 100% match.
@Image2 — the product: a beige fabric double-wide folding outdoor chair with a metal frame, two wooden armrests, and "LANDSCAPE" text printed on the fabric backrest. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 130 cm wide and 90 cm tall, double-wide seat — roughly the span of two open hands side by side across the seat, sitting low like a wide lawn chair. It must never look larger than a doorway.

LOCATION:
an open grassy trailside clearing with a dirt path curving through it, scattered trees at the edges, and open sky overhead in soft daylight.

FIRST FRAME:
0.0s — an aerial drone rising from above the open lawn, the folded chair small on the grass below, revealing the full trail and treeline as it climbs, the person centred at medium distance, already carrying the folded chair braced against one hip with both hands gripping its folded frame, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. She opens straight into what she wants to say — no preamble, no greeting. Shot as: an aerial drone rising from above the open lawn, the folded chair small on the grass below, revealing the full trail and treeline as it climbs
3–8s — She raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: setting the folded chair down on the grass, unlatching the metal hinge locks with both hands, and swinging the frame open until it clicks flat and stable, the fabric seat unfurling taut between the frame rails
8–11s — The camera pushes in on the product as lowering herself down onto the wide fabric seat, settling her full weight back against the backrest with the printed LANDSCAPE text visible, both wooden armrests resting under her forearms so the result is unmistakable — it stays on it rather than cutting away. Shot as: a second drone skimming low and fast past the woman seated in the chair, grazing past her shoulder line as she settles back into it
11–15s — She lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. she stays seated through the full clip without shifting her weight forward or reaching for her lower back, her posture staying relaxed and settled the whole time She lands the closing line as she does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here. Shot as: a third drone directly overhead, looking straight down on the beige chair and the woman seated in it, the ground and path framing her from above

DIALOGUE:
0–3s — "오늘 두 시간을 앉아 있었는데요."
3–8s — "허리가 하나도 안 아프더라고요."
8–11s — "이거 그냥 접이식 의자인데 완전 신세계예요."
11–15s — "이 체어 하나면 야외 자리 걱정 끝이에요."

PERFORMANCE:
LINE_1 — 스스로도 놀란 듣이, 손목시계나 하늘을 슬쩍 보며 담담히 말한다 — 자랑이 아니라 사실 확인처럼\nLINE_2 — 리스너에게 진짜 발견을 넘기는 순간, 허리 쪽에 손을 살짝 대며 눈을 크게 뜨고 상대에게 말하듯\nLINE_3 — 살짝 웃음이 섞인 과장, 팔걸이를 손으로 쓸며 가볍게 던지듯\nLINE_4 — 확신에 찬 마무리, 고개를 살짝 끄덕이며 상대를 향해 단정하듯
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- The frame is thin powder-coated metal tubing that flexes minutely at the hinge joints under body weight but never bends visibly.
- The beige fabric seat and back are taut canvas-weight cloth that dimples and creases where a body presses into it, the printed "LANDSCAPE" text staying flat and undistorted.
- The two wooden armrests are solid and rigid, showing faint grain texture, and do not flex or creak when leaned on.
- The folding hinges click and lock with a short metallic snap when opened, and the chair sits flush and stable on grass without sinking or wobbling.
- NEVER: the frame or armrests must never visibly bow, sag, or fold under the woman's weight while she is seated.
- Scale is fixed: about 130 cm wide and 90 cm tall, double-wide seat — roughly the span of two open hands side by side across the seat, sitting low like a wide lawn chair. It must never look larger than a doorway.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of an open outdoor clearing — light wind moving through leaves, distant birdsong, the metal hinges clicking as the chair unfolds, the soft creak of canvas fabric settling under her weight, and her spoken lines carrying clearly over it.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
Opening — an aerial drone rising from above the open lawn, the folded chair small on the grass below, revealing the full trail and treeline as it climbs Middle — a second drone skimming low and fast past the woman seated in the chair, grazing past her shoulder line as she settles back into it Ending — a third drone directly overhead, looking straight down on the beige chair and the woman seated in it, the ground and path framing her from above These shots make up the clip's coverage — the camera changes between them inside the single take, and each supersedes the register above for its own seconds.

PROPS:
none