순이의신발장 여성 런닝화

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=2384299661

STYLE register 를 이 촬영 방식으로 갈아끼웠습니다 — Photoreal cinematic commercial footage shot by a multi-drone crew — aerial establishing move for the opening beat, then a parallel side-flying drone tracking shot through the middle, settling into a top-down overhead drone shot for the close; production-grade stabilization and lighting, not handheld phone footage.

연출 반영됨 요구한 카메라 3대가 샷 3개로 프롬프트에 실렸습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, Photoreal cinematic commercial footage shot by a multi-drone crew — aerial establishing move for the opening beat, then a parallel side-flying drone tracking shot through the middle, settling into a top-down overhead drone shot for the close; production-grade stabilization and lighting, not handheld phone footage. Available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman in her mid-20s, slim build, short wavy bob hair, clean and natural look with minimal makeup, calm and fresh vibe. 100% match.
@Image2 — the product: a women's running shoe in navy mesh upper with pink accent details, white outsole, visible logo on the side. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 27 cm long and 10 cm wide — roughly one and a half times the length of an adult palm, sized for a woman's foot. It must never look larger than her forearm.

LOCATION:
a wide open park running path lined with trees and grass, morning sunlight, an empty paved trail stretching ahead with no other people or benches nearby.

FIRST FRAME:
0.0s — an aerial drone rising from ground level over the park until the whole running path and green fields read below, the person already already laced and worn on both feet, standing ready before she starts running, looking into the lens mid-thought as if starting a message to a friend.

ACTION TIMING:
0–2.5s — Selfie framing, the person holds the product up to the lens with both hands, no removable part to operate — she simply plants her foot and pushes off, both shoes already secured on her feet with no cap, lid or wrap involved Shot as: an aerial drone rising from ground level over the park until the whole running path and green fields read below
2.5–4s — Her hand sweeps across the lens; when it clears she is already wearing the product, cut hidden inside the sweep.
4–6.5s — She stands back into a wider frame, steps once toward camera, then shifts her weight onto one foot, revealing the outsole strikes the paved trail heel-first with each stride and rolls forward through the toe as she runs
6.5–9s — The camera drops to her feet as she turns them side to side, weight shifting, proving the fit in a wide open park running path lined with trees and grass, morning sunlight, an empty paved trail stretching ahead with no other people or benches nearby.. Shot as: a second drone flying alongside her at shoulder height, tracking her pace in a smooth parallel line as she runs
9–11s — Tight close-up on her stride stays light and even through the whole run, her face relaxed rather than wincing, and she keeps pace without slowing or favoring either foot, held steady before pulling back.
11–15s — She steps back up into a centred standing pose, one foot slightly forward, the product held in frame as her hero pose. She lands the closing line into the lens. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here. Shot as: a third drone directly overhead looking straight down, her figure small against the winding path as she keeps running

DIALOGUE:
0–2.5s — "헐, 저기 뛰는 사람 좀 봐요."
2.5–6.5s — "저것 좀 봐요, 벌써 십 킬로미터나 뛰었는데 발바닥이 하나도 안 아파요."
6.5–9s — "이 신발 진짜 발이 날아다니는 느낌이에요."
9–15s — "순이의신발장 여성 런닝화, 완전 발바닥 지켜주는 신발이네요."

PERFORMANCE:
LINE_1 — genuine surprise at spotting herself in motion from afar; slight head tilt and a small laugh as she glances toward the distant runner.
LINE_2 — proud disbelief at the distance covered; she pats her own thigh once and shakes her head slightly, breathing a little harder but smiling.
LINE_3 — light, buoyant satisfaction; a small bounce in her step as she says it, as if testing the feeling again.
LINE_4 — warm, settled conviction delivered like a final verdict; she nods once, calm and sure, easing her pace as she finishes the line.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Navy mesh upper flexes and breathes with each stride, showing slight creasing at the toe box as her foot bends.
- Pink accent overlays stay flat and bonded to the mesh, moving with the fabric rather than separately.
- White outsole compresses slightly on impact with the path and springs back on push-off, picking up faint trail dust.
- NEVER: the outsole must never look rigid or unbending, like a solid plastic block that does not flex with her foot.
- Scale is fixed: about 27 cm long and 10 cm wide — roughly one and a half times the length of an adult palm, sized for a woman's foot. It must never look larger than her forearm.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Just steady footfalls on the paved trail, the soft rhythm of her breathing, faint birdsong and rustling leaves from the park trees, distant drone rotor hum kept low under the voice, and her spoken lines carried clearly on top.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed as a duplicate, or multiplied — the worn pair on camera is the same single unit shown in hand at 0s.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout the hand-held intro and the closing hero pose; eyes drop to the product only during the rotation, the wear reveal and the foot-turn close-up.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
Opening — an aerial drone rising from ground level over the park until the whole running path and green fields read below Middle — a second drone flying alongside her at shoulder height, tracking her pace in a smooth parallel line as she runs Ending — a third drone directly overhead looking straight down, her figure small against the winding path as she keeps running These shots make up the clip's coverage — the camera changes between them inside the single take, and each supersedes the register above for its own seconds.

PROPS:
none