드리미 MF10 날개없는 타워선풍기

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=4783846961

골격 기본 register 를 그대로 두고 샷만 얹었습니다.

연출 반영됨 요구한 카메라 4대가 샷 4개로 프롬프트에 실렸습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — eye-level, locked-off camera, natural skin and fabric texture, available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman in her mid-20s, slim athletic build, long straight black hair, casual and confident modern minimalistic style. 100% match.
@Image2 — the product: a silver-toned bladeless tower fan, cylindrical tower body, circular digital display showing temperature, remote control, perforated rear air intake base, minimal "DREAME" logo only. 100% match; every word, logo and label exactly as the reference.
@Image3 — the person's face close-up, for a steady face match throughout.
@Image4 — another view of the same product (remote control and app interface).
@Image5 — another view of the same product (front face with circular display).
@Image6 — another view of the same product (rear view with perforated base).

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2, @Image4, @Image5, @Image6 carry appearance ONLY — no pose, no motion, no performance. @Image3 carries appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 90 cm tall and 20 cm across at the base — roughly one and a half times the length of an adult forearm standing upright, a tower reaching from waist to chest height when placed on the floor. It must never look larger than a doorway.

LOCATION:
a cozy bedroom at night with rumpled bedding, soft pillows, and warm low window light, the tower fan standing on the floor near the foot of the bed.

FIRST FRAME:
0.0s — a straight-on framing at eye level, the woman centered facing the lens as she speaks, the person centred at medium distance, already standing beside the tower fan with one hand resting lightly on its upper body, not yet touching any control, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. She opens straight into what she wants to say — no preamble, no greeting. Shot as: a straight-on framing at eye level, the woman centered facing the lens as she speaks
3–8s — She raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: reaching down with one hand and pressing the single power button on the fan's body, the other hand staying free at her side as the display lights up Shot as: a tight close-up on the fan's circular display and perforated base as her hand moves near it
8–11s — The camera pushes in on the product as holding her open palm a few centimeters from the tower's air outlet, letting the steady column of air move across her fingers and hair so the result is unmistakable — it stays on it rather than cutting away. Shot as: a side profile framing catching the tower fan's silhouette and the bedroom light behind her
11–15s — She lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. her hair and a loose strand near her face lift and sway steadily in the airflow while no whirring or rattling sound accompanies it, the room staying audibly calm She lands the closing line as she does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here. Shot as: a high overhead framing looking down on the room, the fan and the bed below

DIALOGUE:
0–3s — "이거 켜놓고 잔 지 며칠 됐거든요."
3–8s — "바람은 완전 센데 소리가 하나도 안 들려서, 밤에도 그냥 틀어놓고 자요."
8–11s — "귀 옆에 대봐도 이 정도밖에 안 나요."
11–15s — "강풍인데 이렇게 조용한 건 처음 봐요."

PERFORMANCE:
LINE_1 — she wants to let the viewer in on something ordinary that turned into a habit; delivered lightly, half-smiling, glancing down at the fan before looking up.
LINE_2 — she wants the viewer to feel the contrast between "strong" and "silent"; said with quiet emphasis, a small shrug, voice dropping slightly on "그냥 자요."
LINE_3 — she wants to physically prove the claim; she leans in and holds her hand near the fan's opening, eyebrows raised as if surprised again by her own demonstration.
LINE_4 — she wants to leave the viewer with genuine disbelief, not a sales line; a short exhale of a laugh, shaking her head slightly, eyes on the fan not the lens.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Silver-toned bladeless tower body, cylindrical, with a smooth plastic-and-metal shell and a circular digital display near the top.
- Air is drawn in through the perforated rear intake base and pushed out as a steady, wide column from the tower opening — no visible blades, no rattle.
- The remote and the tower itself sit motionless except for a faint vibration under the fingertips when powered; the body does not sway or tilt when air output increases.
- NEVER: the tower must never visibly buzz, rattle, or shake on its base, and no blade or fan wheel is ever shown inside it.
- Scale is fixed: about 90 cm tall and 20 cm across at the base — roughly one and a half times the length of an adult forearm standing upright, a tower reaching from waist to chest height when placed on the floor. It must never look larger than a doorway.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Soft room tone of a quiet bedroom at night, the faint rustle of bedding as she shifts, her fingers lightly tapping the fan's display, and her own breathing and speech carrying clearly over an almost inaudible, smooth stream of moving air.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
Opening — a straight-on framing at eye level, the woman centered facing the lens as she speaks Middle — a side profile framing catching the tower fan's silhouette and the bedroom light behind her Middle — a high overhead framing looking down on the room, the fan and the bed below Ending — a tight close-up on the fan's circular display and perforated base as her hand moves near it These shots make up the clip's coverage — the camera changes between them inside the single take, and each supersedes the register above for its own seconds.

PROPS:
none