한경희 파워슬림 무선청소기

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=4434428635

골격 기본 register 를 그대로 두고 샷만 얹었습니다.

연출 반영됨 요구한 카메라 4대가 샷 4개로 프롬프트에 실렸습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — eye-level, locked-off camera, natural skin and fabric texture, available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean man in his late 20s to early 30s, short neat hair, angular face, slim-to-athletic build, clean-cut and tidy overall impression. 100% match.
@Image2 — the product: a slim, lightweight white-and-black cordless stick vacuum cleaner with a slender grip handle, no visible brand text used in the video. 100% match; every word, logo and label exactly as the reference.
@Image3 — the person's face close-up. Appearance only.
@Image4, @Image5 — further angles of the same product. Appearance only.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 100 cm long with a slim body roughly 22 cm across at the main unit and a compact dust cup around 8 cm tall, lightweight cordless stick design — the dust cup is about the size of an open hand, and the whole handle section is about one and a half times the length of a forearm. It must never look larger than his torso.

LOCATION:
a compact Korean one-room studio with a small bed, folding table and drying rack in the background, warm practical lighting, lived-in solo-home mood, vinyl flooring visible underfoot.

FIRST FRAME:
0.0s — a full frontal shot facing the man straight-on, framing him head to toe as he stands with the vacuum in the studio, the person centred at medium distance, already gripping the slender handle upright with one hand, the vacuum resting beside him with its dust cup still sealed and untouched, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. He opens straight into what he wants to say — no preamble, no greeting. Shot as: a full frontal shot facing the man straight-on, framing him head to toe as he stands with the vacuum in the studio
3–8s — He raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: holding the handle steady with one hand and pressing a small release button near the dust cup with a thumb of the other hand, the dust cup dropping open downward and snapping back shut on its own, no removed part left in his hand Shot as: a high-angle shot looking down over the scene, showing the man, the vacuum and the studio floor together
8–11s — The camera pushes in on the product as tilting the floor head forward and gliding its wide suction nozzle back and forth low across the vinyl floor, the opening drawing in visible dust and small debris so the result is unmistakable — it stays on it rather than cutting away. Shot as: a low-angle shot from near the floor, looking up as the vacuum head glides across the vinyl flooring
11–15s — He lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. after pressing the release button, the dust cup empties itself downward in one clean motion and clicks shut, and he then turns his palm toward the camera completely bare with no dust on it He lands the closing line as he does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here. Shot as: a tight close-up on his hand and the vacuum's handle, catching the button press and his clean palm

DIALOGUE:
0–3s — "아 이거 손에 먼지 하나도 안 묻어요"
3–8s — "통 비울 때마다 먼지 뒤집어쓰던 거, 이젠 누르기만 하면 끝이에요"
8–11s — "보세요, 손 완전 깨끗하죠"
11–15s — "이거 쓰고 나니 예전 청소기는 못 쓰겠어요"

PERFORMANCE:
LINE_1 — genuine small surprise at his own clean hand; he glances down at his palm and gives a short breathy laugh before speaking
LINE_2 — recalling an old annoyance so the audience feels the contrast; brief grimace at the memory, then a light shrug of relief
LINE_3 — inviting the viewer to check for themselves; turns his open palm toward the lens with a small confident nod
LINE_4 — a settled, easy conviction, not a hard sell; faint satisfied smile, slight shake of the head as if closing the thought
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Slim white-and-black cordless stick body with a slender grip handle and a see-through dust cup near the base
- The dust cup releases and empties in one small downward motion, fine dust dropping straight down, never puffing outward into the air
- The floor head glides smoothly along the vinyl floor with a light continuous suction hum, no dragging or catching
- NEVER: dust must never appear on his hand or fingers at any point, even briefly
- Scale is fixed: about 100 cm long with a slim body roughly 22 cm across at the main unit and a compact dust cup around 8 cm tall, lightweight cordless stick design — the dust cup is about the size of an open hand, and the whole handle section is about one and a half times the length of a forearm. It must never look larger than his torso. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of the small studio, the steady light suction hum of the vacuum as it glides over the vinyl floor, a soft click when the dust cup releases and snaps shut, faint footsteps on the flooring, and the spoken lines sitting clearly on top as the loudest sound.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: if anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
Opening — a full frontal shot facing the man straight-on, framing him head to toe as he stands with the vacuum in the studio Middle — a low-angle shot from near the floor, looking up as the vacuum head glides across the vinyl flooring Middle — a tight close-up on his hand and the vacuum's handle, catching the button press and his clean palm Ending — a high-angle shot looking down over the scene, showing the man, the vacuum and the studio floor together These shots make up the clip's coverage — the camera changes between them inside the single take, and each supersedes the register above for its own seconds.

PROPS:
none