플렌느 실내 디퓨저 200ml

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=1537584297

골격 기본 register 를 그대로 두고 샷만 얹었습니다.

연출 반영됨 요구한 카메라 4대가 샷 4개로 프롬프트에 실렸습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — eye-level, locked-off camera, natural skin and fabric texture, available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman in her mid-to-late 20s, long straight black hair, casual and neat everyday style, calm and approachable demeanor. 100% match.
@Image2 — the product: a cylindrical clear glass reed diffuser bottle with a silver cap, filled with orange-tinted liquid, multiple thin reed sticks inserted, label reads 'FLrene BLACK CHERRY PREMIUM FRAGRANCE DIFFUSER'. 100% match; every word, logo and label exactly as the reference.
@Image3 — the person's face close-up: appearance only, no pose or performance beyond what LOCATION/ACTION TIMING specify.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 carries appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 20 cm tall and 6 cm across, roughly 200 ml — about one and a half times the length of an adult palm, sitting comfortably held in one hand or standing on a table. It must never look larger than her forearm.

LOCATION:
a small home entryway just inside the front door, with a low shoe shelf and a wall hook holding a jacket, the kind of narrow hallway space right where someone steps in from outside.

FIRST FRAME:
0.0s — a wide static shot taking in the whole entryway, the woman and the diffuser bottle both visible as she steps in, the person centred at medium distance, already cradling the glass bottle in one hand near her waist, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. She opens straight into what she wants to say — no preamble, no greeting. Shot as: a wide static shot taking in the whole entryway, the woman and the diffuser bottle both visible as she steps in
3–8s — She raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: holding the bottle steady in one hand and lifting the silver cap straight off with the other, the cap held pinched between two fingers off to the side Shot as: a medium shot framing her from the waist up as she picks up the bottle and talks about the scent
8–11s — The camera pushes in on the product as tilting the open bottle slightly so the reed sticks catch the light, the sticks staying upright and still as she brings them closer to show the liquid level inside so the result is unmistakable — it stays on it rather than cutting away. Shot as: a close macro shot on the reed sticks and the orange liquid inside the glass, catching light on the surface
11–15s — She lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. the camera catches the orange liquid visibly wicking partway up the pale, damp section of the reed sticks compared to their dry tips, and a faint waft of scent implied by her reaction as she steps closer to the bottle She lands the closing line as she does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here. Shot as: a tight close-up on her face as she reacts and delivers the last line, the cut landing hard on the change of shot

DIALOGUE:
0–3s — "어? 문 열자마다 이 냄새 뭐야?"
3–8s — "현관에 들어설 때마다 향이 먼저 인사해주니까 기분이 확 좋아져요."
8–11s — "이 스틱들이 계속 향을 밀어 올리는 거 보이시죠?"
11–15s — "이거 하나로 집에 들어오는 순간이 완전히 달라져요."

PERFORMANCE:
LINE_1 — genuine surprise at the scent hitting her the moment she steps in; she pauses mid-step, eyebrows lifting, nose catching the air before she even looks at the bottle.
LINE_2 — warmth breaking into a small, real smile as she connects the smell to her mood; she glances toward the entryway table where the bottle sits, one hand gesturing lightly toward it.
LINE_3 — quiet fascination as she leans in slightly toward the reeds, tilting her head, inviting the viewer to look closely with her rather than performing for them.
LINE_4 — a settled, confident nod to close, gaze steady and warm, the kind of small satisfied breath before the last word lands.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- The glass bottle is clear and rigid, holding an orange-tinted liquid that sloshes gently with a faint liquid sound only when the bottle is tilted or moved.
- The reed sticks are thin, dry and rigid, drawing liquid up slowly by capillary action — they do not bend, drip, or visibly change while on camera.
- The silver cap is a separate metal piece that lifts off cleanly with a small metallic click and sits still wherever it is placed.
- NEVER: the liquid never sprays, foams, or shoots upward, and the reeds never bend, drip liquid, or move on their own.
- Scale is fixed: about 20 cm tall and 6 cm across, roughly 200 ml — about one and a half times the length of an adult palm, sitting comfortably held in one hand or standing on a table. It must never look larger than her forearm.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of a quiet home entryway, the soft scuff of her shoes on the floor, a faint clink of the silver cap being set down, and her spoken lines staying the clearest sound throughout.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
Opening — a wide static shot taking in the whole entryway, the woman and the diffuser bottle both visible as she steps in Middle — a medium shot framing her from the waist up as she picks up the bottle and talks about the scent Middle — a close macro shot on the reed sticks and the orange liquid inside the glass, catching light on the surface Ending — a tight close-up on her face as she reacts and delivers the last line, the cut landing hard on the change of shot These shots make up the clip's coverage — the camera changes between them inside the single take, and each supersedes the register above for its own seconds.

PROPS:
a low shoe shelf