블랙앤데커 드립 커피머신

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=4716835183

골격 기본 register 를 그대로 두고 샷만 얹었습니다.

연출 반영됨 요구한 카메라 4대가 샷 4개로 프롬프트에 실렸습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — eye-level, locked-off camera, natural skin and fabric texture, available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman in her early-to-mid 20s, slender build, short black hair above shoulders, natural minimal makeup, calm composed look, casual style. 100% match.
@Image2 — the product: black plastic body drip coffee maker, glass carafe, top water tank with side fill-level gauge, filter basket on top, silver front panel with BLACK+DECKER logo, front-bottom power button, no display. 100% match; every word, logo and label exactly as the reference.
@Image3 — the person's face close-up. 100% match.
@Image4 — another view of the same product.
@Image5 — another view of the same product.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2, @Image4, @Image5 carry appearance ONLY — no pose, no motion, no performance. @Image3 carries appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 30 cm tall and 20 cm wide, with a carafe holding around 1.2 liters — roughly one and a half times the height of an open hand held upright, sitting solidly on the counter. It must never look larger than her torso.

LOCATION:
A bright home kitchen counter with daylight coming through a nearby window, a mug and a small plate of fruit sitting nearby, the coffee maker in its usual spot against the backsplash.

FIRST FRAME:
0.0s — a wide shot taking in the whole kitchen counter, the coffee maker sitting in its spot among the daylight and dishes, the person centred at medium distance, already standing beside the counter with both hands relaxed at her sides, not yet touching the machine, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. She opens straight into what she wants to say — no preamble, no greeting. Shot as: a wide shot taking in the whole kitchen counter, the coffee maker sitting in its spot among the daylight and dishes
3–8s — She raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: reaching out with one hand and pressing the silver power button on the front-bottom panel once, her hand staying near the button for a beat before pulling back Shot as: a straight-on shot facing the machine's silver front panel and power button, framed like a product shot
8–11s — The camera pushes in on the product as the filter basket on top steadily releasing coffee through its base into the glass carafe below, drop by drop so the result is unmistakable — it stays on it rather than cutting away. Shot as: a tight macro shot on the carafe, close enough to see coffee dripping and pooling drop by drop
11–15s — She lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. in the time it takes her to walk back from the sink, the carafe already shows a visible pool of coffee gathered at the bottom She lands the closing line as she does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here. Shot as: a close shot on her face as she drinks, catching the small reaction on her face

DIALOGUE:
0–3s — "어 이거 진짜 아침 시간 살렸어요"
3–8s — "버튼 누르고 씻으러 갔다 왔는데 벌써 이만큼 내려져 있더라고요"
8–11s — "저것 봐요, 뚝뚝 떨어지는 거 보이시죠?"
11–15s — "이거 덕분에 출근 준비가 십 분은 빨라졌어요"

PERFORMANCE:
LINE_1 — genuine surprise at how much time it saved, small laugh in the voice, eyebrows lifting slightly
LINE_2 — recounting it like retelling a small discovery to a friend, casual hand gesture toward the machine
LINE_3 — pulling the listener's attention outward, pointing toward the carafe with a light smile
LINE_4 — a settled, satisfied verdict, calm nod, mug lifted slightly toward the camera
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- black plastic body with a glass carafe that shows the coffee level and a top water tank with a side fill gauge
- coffee drips from the filter basket in small, irregular drops, pooling slowly in the carafe, not a steady stream
- the power button gives a light mechanical click, no display or beeping
- NEVER: the carafe never fills instantly or overflows in one pour — it only ever fills drop by drop
- Scale is fixed: about 30 cm tall and 20 cm wide, with a carafe holding around 1.2 liters — roughly one and a half times the height of an open hand held upright, sitting solidly on the counter. It must never look larger than her torso. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of a quiet morning kitchen, the soft click of the power button, the faint gurgle and drip of coffee brewing into the glass carafe, her footsteps on the floor, and her spoken lines carrying clearly over it all.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: if anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
Opening — a wide shot taking in the whole kitchen counter, the coffee maker sitting in its spot among the daylight and dishes Opening — a straight-on shot facing the machine's silver front panel and power button, framed like a product shot Middle — a tight macro shot on the carafe, close enough to see coffee dripping and pooling drop by drop Ending — a close shot on her face as she drinks, catching the small reaction on her face These shots make up the clip's coverage — the camera changes between them inside the single take, and each supersedes the register above for its own seconds.

PROPS:
a mug and a small plate of fruit on the counter