오아 O2 미니 공기청정기

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=3985539501

골격 기본 register 를 그대로 두고 샷만 얹었습니다.

연출 반영됨 요구한 카메라 4대가 샷 4개로 프롬프트에 실렸습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — eye-level, locked-off camera, natural skin and fabric texture, available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman in her mid-20s, slim build, straight dark hair, simple black tank top and black shorts, clean minimal and calm demeanor. 100% match.
@Image2 — the product: a compact ivory/cream-toned square-bodied air purifier with rounded corners, a circular perforated filter panel on the front, a button/indicator light area on top, no visible logo or text. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 20 cm tall and 20 cm wide, a compact square body — roughly the size of an open hand held flat, a little larger than a palm. It must never look larger than her forearm.

LOCATION:
placed on the floor beside a small bed in a compact one-room studio, folding table and drying rack visible nearby in the warm, lived-in light.

FIRST FRAME:
0.0s — a wide shot taking in the whole studio room, small bed, folding table and storage visible, establishing where everything sits, the person centred at medium distance, already standing untouched on the floor beside the bed, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. She opens straight into what she wants to say — no preamble, no greeting. Shot as: a wide shot taking in the whole studio room, small bed, folding table and storage visible, establishing where everything sits
3–8s — She raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: reaching down with one hand and pressing the single top button once, the indicator light switching on under her fingertip as she draws her hand back Shot as: a high-angle shot looking down on the bed from above, the woman asleep with the purifier running nearby
8–11s — The camera pushes in on the product as the front grille drawing room air in through its perforated circular panel while the top vents release it quietly back into the room so the result is unmistakable — it stays on it rather than cutting away. Shot as: a straight-on shot facing the purifier's front panel, framed square to its perforated circular grille
11–15s — She lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. the indicator light glows steadily through the night shot and, in the morning shot, she wakes and touches her own throat with an easy, unbothered expression, no coughing or clearing She lands the closing line as she does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here. Shot as: a macro shot pushed in tight on the indicator light on top of the unit, close enough that its glow fills the frame

DIALOGUE:
0–3s — "자기 전에 이거 하나 틀어놓고 잤거든요."
3–8s — "원룸이라 공기 안 좋을까 걱정했는데 계속 조용하더라고요."
8–11s — "근데 아침에 일어났더니 목이 하나도 안 칼칼해요."
11–15s — "이 작은 애가 아침을 이렇게 바꿔놨어요."

PERFORMANCE:
LINE_1 — settling in for the night, relaxed and matter-of-fact, a small tired exhale as she glances at the unit before lying down
LINE_2 — admitting a worry then letting it go, a slight shrug and softened brow as the tension in her face eases
LINE_3 — genuine mild surprise on waking, eyes widening a touch, a hand brushing her own throat as if checking
LINE_4 — a warm, satisfied half-smile aimed at the listener, a small nod toward the purifier as the verdict lands
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- an ivory/cream square-bodied unit with a rigid plastic shell and a circular perforated metal-mesh filter panel on its front face
- sits stationary on the floor or a low surface, drawing air in through the front grille and releasing it quietly from the top vents
- the top indicator light glows steady, its brightness changing faintly as the fan speed shifts, with only a soft low airflow sound
- NEVER: it must never let out an audible hum, buzz or mechanical whir loud enough to be heard over the room's quiet — the unit stays close to silent throughout
- Scale is fixed: about 20 cm tall and 20 cm wide, a compact square body — roughly the size of an open hand held flat, a little larger than a palm. It must never look larger than her forearm.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of a quiet studio apartment at night — soft bedding rustle, a faint click of the button being pressed, then near-silence from the purifier itself as she sleeps, with only her own soft breathing and morning stirring sounds audible, and the ordinary quiet hum of the building barely there under it all.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
Opening — a wide shot taking in the whole studio room, small bed, folding table and storage visible, establishing where everything sits Middle — a straight-on shot facing the purifier's front panel, framed square to its perforated circular grille Middle — a macro shot pushed in tight on the indicator light on top of the unit, close enough that its glow fills the frame Ending — a high-angle shot looking down on the bed from above, the woman asleep with the purifier running nearby These shots make up the clip's coverage — the camera changes between them inside the single take, and each supersedes the register above for its own seconds.

PROPS:
none